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Bücher

Magazin

Themen

Espace Berlin

Espace Zürich

Info

Sprache

Typ

Zugang

Format

Zeitlich

Geographisch

Nutzerkonto

Barbara Formis: The Urinal and the Syncope

The Urinal and the Syncope
(S. 91 – 106)

p€ 9,95

Barbara Formis

The Urinal and the Syncope

PDF, 16 Seiten

In her article, Formis introduces the notion of the syncope as a methodological tool to explore the genealogy of contemporary art. The syncope, a term used in different fields, presents a pathology, an omission, or a breakdown. The article unfolds the “story and history”—the syncopated history—of Duchamp’s urinal as a particular example. The non-linear development of this artwork splits into five different episodes. The coexistence of several times in the work of art itself is thus revealed to be a decisive feature of contemporary art.

Dichtung
Gegenwartskunst
Theodor W. Adorno
Kunst
Politik
Kunstkritik
Marcel Duchamp
Kunsttheorie
Ästhetik
Zeitlichkeit
Walter Benjamin
Theater

Barbara Formis

ist Assistant Professor am Institut für Kunstgeschichte und Kunstwissenschaften an der Universität Sorbonne in Paris.

b€ 30,00 p€ 30,00

Frank Ruda (Hg.), Jan Völker (Hg.)

Art and Contemporaneity

Broschur, 176 Seiten

PDF, 176 Seiten

Although art always takes place in time, its manifestations – actual works of art – can be characterized by the specific and close connection they maintain between contemporaneity and timelessness. Their relation to time must be differentiated in a twofold manner: on the one hand, there is the relation to the time in which they are embedded, and, on the other, the relation to the time that they themselves create. In particular historical conditions a specific temporality of the artwork emerges. Both temporalities are superimposed on by one another, namely as a timelessness of artworks as such. The book assembles a variety of thinkers that confront one of the most crucial questions when dealing with the very definition, concept and operativity of art: How to link art to the concept of the contemporary?

Inhalt

7–8

Preface

Frank Ruda, Jan Völker

pgratis
9–22

For and Against the Contemporary. An Examination OPEN
ACCESS

Alexander García Düttmann

p€ 9,95
23–44

»No, Nobody Could Ever Call Me His Contemporary«

Judith Balso

p€ 14,95
45–58

What is Contemporaneity in Theater?. Atomism versus Atavism ABO

Oliver Feltham

p€ 9,95
59–76

We Are All Hot Girls in a Mental Asylum. The »Hollywood Left« and Contemporary Democracy ABO

Frank Ruda

p€ 9,95
77–90

Fire Walk with Me. Canetti's »Auto-da-Fé«

Mark Potocnik

p€ 9,95
91–106

The Urinal and the Syncope

Barbara Formis

p€ 9,95
107–126

The Exhaustion of the Critical Form as Aesthetic Value

Vladimir Safatle

p€ 9,95
127–144

Benjamin and Adorno on Art as Critical Practice

Georg W. Bertram

p€ 9,95
145–162

To end the End. Philosophy and the Poem in Badiou

Jan Völker

p€ 9,95
163–174

Art and Mathematics ABO

Alain Badiou

p€ 9,95
175–176

Contributors

Themen

Espace Zürich

Sprache

Typ

Zugang

Format

Kategorien

Zeitlich

Geographisch

Nutzerkonto

7–8

Frank Ruda, Jan Völker

9–22

Alexander García Düttmann

23–44

Judith Balso

45–58

Oliver Feltham

59–76

Frank Ruda

77–90

Mark Potocnik

91–106

Barbara Formis

107–126

Vladimir Safatle

127–144

Georg W. Bertram

145–162

Jan Völker

163–174

Alain Badiou

175–176

Contributors