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Cache::config() - CORE/cake/libs/cache.php, line 141
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Cache::config() - CORE/cake/libs/cache.php, line 141
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Questions of What Remains
(S. 67 – 74)

pgratis

Raphael Daibert

Questions of What Remains

PDF, 8 Seiten

• Künstlerische Praxis
• Performance-Kunst
• Gegenwartskunst
• Öffentlichkeit
• Institutionenkritik
• Aktivismus

Meine Sprache
Deutsch

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Deutsch, Englisch, Französisch

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Raphael Daibert

Raphael Daibert is a Brazilian researcher, curator, and artist based in Berlin. He is currently a lecturer and research associate at the Institute of Philosophy and Art History (IPK) and a PhD candidate in the DFG Research Training Group “Cultures of Critique” at Leuphana University Lüneburg. He is part of the curatorial collective Cruising Curators in Berlin and the art education working group Third Space: Disordering the Mess in Munich. Daibert’s research interests art praxis, cultural studies, decolonial theories, pluriepistemic knowledges, and performance studies.

b€ 45,00

Anna Kipke (Hg.), Iryna Kovalenko (Hg.), Laura Rogalski (Hg.), Simon Teune (Hg.), Mimmi Woisnitza (Hg.)

Drafts in Action
Concepts and Practices of Artistic Intervention

Broschur, 268 Seiten

PDF, 268 Seiten

How do practices of artistic intervention engage with conceptual frameworks, in particular when it comes to location, institutional context, as well as human and non-human relations? What are the historical and theoretical references that fuel current approaches within the arts—performative, participatory, intervening—and in what ways do these references infer a certain tension between concepts and actions, between objectives and practices? And in what ways do these debates provide possible tools for the analysis of artistic intervention today?

This volume addresses the potentials and challenges of different forms of intervention at the intersection of activism and artistic fields and practices. The contributions, written by scholars from art history, sociology, literary and performative studies as well as art practitioners, present case studies that shed light on artistic practices that respond to geopolitical, socio-cultural, and ecological crises, as well as on curatorial projects, the organization of collectives and the role of institutions within the art field and academia. Individual contributions are accompanied by short interviews that give room to dialogues among the authors.

 

Taking a multidirectional approach that accounts for the positionality of perspectives and highlights the non-directional formation of the interventions at hand, the anthology presents and discusses current tools, methods, and analytical frameworks to address artistic interventions.

 

With contributions by Raphael Daibert, Agata Jakubowska, Amelia Jones, Anna Kipke, Iryna Kovalenko, Premesh Lalu, Natalia Moussienko, Alia Rayyan, Laura Rogalski, María Laura Rosa, Franka Schäfer, Paula Serafini, Valeria Schulte-Fischedick, Simon Teune, and Mimmi Woisnitza.

Inhalt

• 7–8

  Preface

  pgratis

• 9–34

  Manifestation, Collectiveness, Documentation: Thinking About Intervening Arts in Terms of Concept and Practice

  Anna Kipke, Mimmi Woisnitza

  pgratis

• 37–58

  Performing Absence as Intervention: The Case of Lee Lozano

  Amelia Jones

  pgratis

• 59–66

  Collective Performance and the Cuerpo-territorio

  Paula Serafini

  pgratis

• 67–74

  Questions of What Remains

  Raphael Daibert

  pgratis

• 75–90

  On the “Promise!” of Revolutionary Art Practices: Situating Asja Lācis’ “New Tendencies in Theater” (Riga, 1921)

  Mimmi Woisnitza

  pgratis

• 93–108

  Socially Engaged Art Practice in Jerusalem: A Critical Reflection on Public Space Art Engagement

  Alia Rayyan

  pgratis

• 109–122

  The Work of Art in the Wake of Apartheid

  Premesh Lalu

  pgratis

• 123–136

  Rethinking Objectives, Theory and Practice: Studying Artists’ and Activists’ Perspectives on Impact in Empirical Research

  Laura Rogalski

  pgratis

• 137–148

  Theory is & in Practice: On the Relation­ship Between the Theoretically Intended and Practical Logic of Interventions

  Franka Schäfer

  pgratis

• 151–158

  Theory, Positionality, and the Public Space. Interview by Anna Kipke and Simon Teune

  Alia Rayyan, María Laura Rosa

  pgratis

• 161–170

  Manifesto—Manifest—Manifestation: The Creation of Collectivity Through Text

  Simon Teune

  pgratis

• 171–182

  Estado de Emergencia: Addressing (Trans) feminicide through Feminist Art and Activism

  María Laura Rosa

  pgratis

• 183–196

  “I feel that the grotesque will turn into a Molotov cocktail”: Actions of Ukrainian Art Groups Before the Revolution of Dignity (2010–2013)

  Iryna Kovalenko

  pgratis

• 197–204

  Traveling Practices. Interview by Anna Kipke and Simon Teune

  Agata Jakubowska, Paula Serafini

  pgratis

• 207–220

  Art and War in Ukraine

  Natalia Moussienko

  pgratis

• 221–234

  MANIFEST Yourself! Visualizing and Contextualizing (Queer) Feminist Manifestos in an Exhibition

  Valeria Schulte-Fischedick

  pgratis

• 235–246

  On Puppets, Dolls, and Harlequins: Textile Constellations between Emma Kunz and Eva Aeppli

  Anna Kipke

  pgratis

• 247–260

  The Role of the University as an Institution. Interview by Anna Kipke and Simon Teune

  Amelia Jones, Premesh Lalu

  pgratis

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